* Hermeneutic Identity: The functunal use of art as identity. When. Where and If?

     The unity of the work is on a basic level experienced at different moments when where if. Consisting of a continuum of experiences, events which constitute to the whole and will be used in the future to supliment the whole -

When Where If ......

     * Within-ones-self Identity of the wanderer

          : Of the Wandrer

              Within-ones self Identity

          : As one wanders

               Product and participant

Become the Moment - Distortion

   

     The work: is a play of distortion. 

       Possible series of works - Distortion?

       By Gadamer's definition of Play the art work does not exist. It is an intention. And they both do not exist in a solid form. Participant and observer. Dance. Relate. Exist. Metaphysically? React. To each other. It is this reaction we intend Involved, share - live art. How do you define Art in this context?

      " Do What You Have to Do"

. 

: Kara. Pencil on Card. 32 x 45cm

: Trouble, Too. Oil on Card. 49 x 35cm

Untitled. Acrylic on Card

: Always Thinking of You. Acrylic on Card. 49 x 35cm

 : True. Pencil on Card. 32 x 45cm

 * How far can you take it? How long can you streach it out? Elongate it. Streach it, mend it, make it. Manipulate it. bend it. Take colour to the limits.

          Red Yellow Blue. I live in you.

          Emergent in the work (Play)

          Emerging from the colours I develop myself. Does this make every painting a self portrait? Elements of ones-self emerging - a psychological profile of the artist? It certainly conveys personality moving in-the-moment. Serious as if it were real purpose. It is not (play).

     Play suggests no rules - and I find this to be true - in art i am completely free. I represent (unconsciously) myself and hope this reverberates with you. But it is not a thing because a thing has object-ive-ness. It is not a thing like a tool but exists in the space between. Is this metaphysics? Reverbarate. You become the moment

          Become the Moment - Distortion

: More Who. Pencil on Card. 32 x 45cm. 15/7/25
 

: Might Bite. Pencil on Card. 32 x 45cm. 11/7/25
 

 : Catch You. Pencil on Cars 32 x 45cm. 15/7/25

 We cannot Specify the moment of art. A grouping, catogorising the moment of art. Shutting down. This would miss the content, close the aesthetic reaction and pre-empt, dull - miss the point. Open the book and read on. He will never be static. "A peculiar case of it" (p21). There is no case. Formalising of moments. Catogorising of moments. A data-centric breakdown of the moment expectation censored - Grey. Look at each work a new. 13/5/25

   * Genius is a force of nature

: The Arena

     This is "The Arena" in which we play. 

     It solves the problem of "what art is" to some degree, and takes away some of the ambiguity presented? between the making of the art and the understanding of art. Addressing the concept of where it comes from and its understanding - In Kantean terms - The aesthetic appreciation of art - a "disinterested delight" (define disinterested delight) is not completely necessary - just enjoyed, inspired by a feeling, sensed and enjoyed without concept, but something that is communicatable through human endeavore - Art

     A "natural beauty" has no concept. The "Genius" is a force of nature

: Shout it Through. Pencil on Card. 32 x 45cm. created 30/6/25
 

 : All Boo. Pencil on Card. 32 x 45cm. created 26/6/25

 : Makes Two. Pencil on Card. 32 x 45cm. created 26/6/25

: Always You. Pencil on Card. 32 x 45cm. created 23/6/25

 

 : Play Boo. Pencil on Card. 32 x 45cm. created 30/6/25

 : The Peaking Boo. Pencil on Card. 32 x 45cm